Visit  · Wikipedia Profile

When I was younger I spent a summer working in a factory lifting heavy boxes from a low shelf to a high shelf. It was tedious labour but an improvement on the first offer which was to thread plastic balls onto a length of string. During lunches I would often scribble (definitely not considered drawing) to avoid sharing the stale staff room listening to a constant overuse of the microwave. Being as I have always had issues with stuff I’ve made, a high percentage of it often makes it’s way to the bin. On one occasion whilst clearing some boxes I discovered a mysterious drawing and was captivated by it for a second before the realisation that it was one of my own which I had discarded as a waste of paper. I’m certainly not attempting to credit myself for creating something good, but just to see it with new eyes had a great effect, For some reason that memory still carries weight 14 years on.

This in relation to the photography here is absolutely valid (be it mostly by one Berger). Something I would see almost daily and not consider posting on this for site for a reason unbeknown to me. Now looking at it again there is certainly a new appreciation for imagery that I would describe as ‘Beauty’ captured on 35mm.

Visit  · Berger Berger

Visit Online · Wonderland

TOURIST curated A CELEBRATION of all things nordic to hoorah 5 years of Nordic Bakery in the Golden Square, Soho. The space considered and reflected our heritage with scandinavian sounds, sights and nordic lights.Visual displays of nordic lights and norweigian woods to the sounds of swedish balearic pop along side scandinavian mid century furniture courtesy of Forest – shop to be in Clerkenwell, black and white interior imagery of the living spaces through the 70′s homes of Mimmi Thore – Berger and Mats Berger and a bespoke minimalist wall piece by
Christopher Gray of the I.P.H. All photographs by Sanna Helena Berger.

Visit Tourist Magazine · Website

More surprising when googling to see if there were any websites that had noticed in the 14 years since it’s release, there wasn’t a single post dedicated to it.

With the ever increasing pace of information delivery I have found myself leaning towards those things with a slower almost hypnotic like pace. Partially due to the respite from the daily consumption and not purely from a singular taste. This film is a good example of something which can be absorbed rather than simply watched.

Shot off the coast of Phuket, Thailand and in the Hudson River, New York City, 2008-2010. By Richard Mosse.

Cinematography by Trevor Tweeten
Underwater Cinematography by Jerome Thelia
Sound by Martin Clarke
Digital Color and Post-Production by Jerome Thelia
Editing by Ladan Anoushfar

Made possible with the assistance of the Leonore Annenberg Fellowship in the Performing & Visual Arts and Jack Shainman Gallery.

Photographing good Architecture seems like an easy task but with the majority of digital photographers opting for artificially lit and then photo-shopped to completely falsely any natural light or warmth instead or allowing a space to breathe. However with these photographs and documentation by Allied Works it seems like such a great record of the process and final result of their work.

The design for the Wieden+Kennedy building transformed an abandoned 1908 warehouse into the headquarters for an international advertising agency. The building is home to 400 designers and support staff, as well as non-profit arts organizations including the Caldera Arts Foundation and the Portland Institute for Contemporary Art.

The existing masonry and timber-frame structure was renovated and placed on the National Historic Register. The warehouse was opened to the street with a new mixed-use base of shops and restaurants. Within, workspaces are organized into ‘mini-agencies’ that occupy the building perimeter and contain dedicated resources including conference spaces, kitchens and informal lounges. A new concrete five-story structure rises in the center of the historic warehouse, uniting the many levels of the building into a cohesive whole. This space contains all of the building’s shared resources including a screening room and gymnasium, and centers upon an open auditorium constructed of reclaimed Douglas-fir timbers. By day, physical and visual connections across the atrium promote interaction among the many divisions and disciplines within the agency. By night, the auditorium operates as a public space for gathering, performance, and exhibition.

The architecture was formed by making a clearing within the existing field of structure and filling it with space and light – a building within a building that challenges perceptions of interior and exterior, public and private, old and new.

Visit Architect · Allied Works

Nathan Cowen and Jacob Klein of Haw-lin come to London for their first curated UK exhibition. The I.P.H will host the one night opening with works from Linus Bill, Benjamin Vnuk, Nathalie du Pasquier, Travess Smalley, Andy Rementer, Maurice Scheltens & Liesbeth Abbenes, Bruno Zhu. Home Slice (http://www.homeslicepizza.co.uk/) are making a guest appearance at the event offering hand rolled, wood fire cooked pizza. There is more information including a map on the FACEBOOK EVENT PAGE.

Visit · http://haw-lin.com

LINUS BILL
BENJAMIN VNUK
NATHALIE DU PASQUIER
TRAVESS SMALLEY
ANDY REMENTER
MARUAICE SCHELTENS & LIESBETH ABBENES
BRUNO ZHU

Visit · Simplygoodmusic

The first piece of design created under the I.P.H name comes in the form of the Tourist Exhibition poster for our February opening. Using one of the beautiful shots created by anna-sophie berger as the centre piece the exhibition. To find out more about the show or to RSVP please visit our Facebook Page.

Featured on one of our favourite design blog · http://reform.lt/